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Film Reviews

1.

A review of the final Merchant-Ivory film, The White Countess, “a high-brow romance drama without romantic love.”

2.

A review of François Miron's revisionist, Sapphic film noir, which imagines a world where women act like Humphrey Bogart and men are nervous, jittery and timid.

3.

A review of British documentarian James Marsh's excellent feature film debut The King, a haunting piece of Southern Gothic which has earned comparison to Terrence Malick, David Lynch, and David Cronenberg (A History of Violence.

4.

In-depth review of uncompromising fact-based serial killer film, Evilenko.

5.

Costa–Gavras returns with an astute black comedy on the corporate mindset.

6.

A report on the 12th Bradford Film festival (UK).

7.

An idiosyncratic look at contemporary thought filtered through popular art, literature, film, and philosophy.

8.

A review of first-time director Lajos Koltai's powerful Holocaust film.

9.

An idiosyncratic look at contemporary thought filtered through popular art, literature, film, and philosophy.

10.

Review essay of Guy Maddin's The Saddest Music in the World which concentrates on issues of National and cultural identity.

11.

A review essay of Maddin's most recent docu-short on Roberto Rossellini.

12.

A report on the 46th International Film Festival of Thessaloniki, Greece (TIFF, 18 – 27 November 2005).

13.

An 'ensemble' piece of film criticism using the unique culture of Louisiana and the Katrina hurricane that shattered Louisiana as a starting point. Films analyzed include: Be Cool, Guess Who, Elizabethtown, Loggerheads, 9 Songs, Cote D’Azur, 2046, Red Eye, Thumbsucker, and Proof.

14.

Report on the 19th Leeds International Film Festival,

15.

Writer Garrett looks at the human quotient across a series of recent films (including Yes, and In My Country, The Interpreter, Off the Map, The Upside of Anger, and Saraband).


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