Browse by author: Peter Rist
On the occasion of Fuon (The Crying Wind, Japan, 2004, 106 mins.) showing in competition at the 2004 Festival des Films du Monde (World Film Festival), in Montreal, the director of the film, Higashi Yoichi, along with principal actor, Uema Muneo, and Yamagami Tetsujiro, the film’s producer were interviewed by Peter Rist for Offscreen.
As I said in my most recent Fantasia International Film festival report, the director of “Bottled Fool”, Hiroki Yamaguchi, is a good bet to become the next big thing out of Japan. After making a prize winning short in 1999 at the age of 21 (“Shinya Zoki”/“Midnight Viscera”) he soon completed his first feature film in the same year, “Hateshinai tameiki” (1999).
Festival report which covers events from 2002 to 2004.
A review of the Criterion DVD which suggests Criterion could have done more (or differently) this time around.
Rist reports on the best from around the globe.
Writer Rist concentrates on the Asian offerings at the 27th edition of the WFF.
In September 2002, at the Toronto International Film Festival, I was very pleased to meet Cheng-Sim Lim, the Head of Programming at the UCLA Film and Television Archive, who told me she was curating a series of films celebrating the history of Chinese Martial Arts on film!
A round-up of some of the best from one of the more interesting National cinemas of the past few years.
Rist discusses why he thinks Gerry signals a strong return to form for Van Sant.
Professor Peter Rist reminisces on “Stan the Man”.
In a first of a two-part essay, Rist looks back at 25 years of attending the Montreal World Film festival.
Boistered by a half-year sabbatical, Peter Rist was a man on a mission, and watched over 250 films on the big screen in 2002. Rist gives us an idea about what makes Montreal one of the best cities in North American for the discerning filmgoer, and how it can be even better.
The top of Michael Snow’s curriculum vitae reads, born: Toronto, Ontario, 10 December, 1929. Occupation: filmmaker, musician, visual artist, composer, writer, sculptor. As Canada’s best-known living artist, Snow is also one of the world’s two most highly acclaimed experimental filmmakers (the other being Stan Brakhage, US).
La Région Centrale (Quebec, 1971, 180 min., 16mm, color) is arguably the most spectacular experimental film made anywhere in the world, and for John W. Locke, writing in Artforum in 1973, it was “as fine and important a film as I have ever seen.” If ever the term “metaphor on vision” needed to be applied to a film it should be to this one. Following Wavelength, Michael Snow continued to explore ...
As an invited guest to Pi-Fan, Professor Rist was asked to share his knowledge of King Hu to interested observers. Offscreen extends the privilege to its readers.