ISSN 1712-9559
Browse by author: Kyle Barrowman
1.
Kyle Barrowman tackles the thorny theoretical debate of authorship employing Hong Kong mega-action star Bruce Lee in an effort to bring the study of film, at least where Lee is concerned, back to the text. In Part 1 Barrowman lays out the theoretical battleground and in Part 2 he demonstrates the potentialities of a return to the text by doing a close formal analysis of Lee's The Way of the Dragon.
2.
Kyle Barrowman tackles the thorny theoretical debate of authorship employing Hong Kong mega-action star Bruce Lee in an effort to bring the study of film, at least where Lee is concerned, back to the text. In Part 1 Barrowman lays out the theoretical battleground and in Part 2 he demonstrates the potentialities of a return to the text by doing a close formal analysis of Lee's The Way of the Dragon.
3.
In this essay author Kyle Barrowman analyzes the richly textured (on both the visual and thematic sense) Michael Mann urban crime/noir film Collateral as an "incoherent text" (Robin Wood).
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