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Browse by author: Jason Mark Scott
1.

An analysis arguing for Le Mepris as one of Godard’s most ‘emotionally’ engaged works.

2.

While most reviewers of Abel Ferrara’s (arguably masterpiece) The Bad Lieutenant tended to laud Harvey Kietel’s performance in spite of his character’s morally reprehensible nature, and the film’s overall harsh subject matter, Jason Mark Scott argues that Ferrara’s stylistic mix of ‘naturalism’ (which is likened to Pier Paolo Pasolini) and lyricism amounts to a poignant treatment of Catholic angst.


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