ISSN 1712-9559
Browse by author: Elaine Lennon
1.
Part 1 of Elaine Lennon's detailed historical analysis of Nicholas Ray and Humphrey Bogart's under-rated reflexive noir-crime film In a Lonely Place.
2.
Part 2 of Elaine Lennon's detailed historical analysis of Nicholas Ray and Humphrey Bogart's under-rated reflexive noir-crime film In a Lonely Place.
3.
A book review of two recent studies of film comedy, Hollywood Romantic Comedy: States of the Union 1934-65 by Katharina Glitre and Tears of Laughter: Comedy-drama in 1990s British cinema by Nigel Mather.
4.
Part two of the examination of the dualistic career of Bette Davis through the prism of Davis’ roles as identical twins in the fraternal films A Stolen Life (1946) and Dead Ringer (1964).
5.
An examination of the dualistic career of Bette Davis through the prism of Davis’ roles as identical twins in the fraternal films A Stolen Life (1946) and Dead Ringer (1964).
6.
An exploration of the 1929 British film Piccadilly, a remarkable exploration of sex, race and class in a spectacular Expressionist-style story of backstage rivalry starring the charismatic and alluring Anna May Wong.
7.
A review of Mandy Merck's 2007 book on the Hollywood encounters of writer Dreiser, and filmmakers Eisenstein, Sternberg and Stevens.
8.
Greta Garbo was a mega star at a studio renown for "having more stars than the heavens," MGM. What impact did this have on Garbo's control over her persona? Was she the author of her image? Elaine Lennon tackles this issue in her well-researched industry analysis of Garbo at MGM.
9.
An analysis of the lesbian elements of Robert Towne's Personal Best and its generic considerations as a sports film.
10.
A close analysis of how Robert Towne's scripting and directorial work interact in his sports film Personal Best. The analysis draws on issues of representation (athletes, lesbians), authorship, visual style and characterization.
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