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Browse by author: Daniel Garrett
1.

A Bleak Heroism of Images: “Woman, Thou Art Loosed” by Michael Schultz and “Moolaade” by Ousmane Sembene.

2.

Review of Maddin's latest film within the broader context of recent Canadian cinema and its reception in the United States.

3.

An in-depth analysis of the representation of men and race across several varied recent films.

4.

A study of two recent art house films (Spring, Summer, Fall, Winter ... and Father and Son) which feature male relationships at their emotional center.

5.

An in-depth analysis at the social and ideological parameters offered by Lars von Trier's fascinating piece of Brechtian cinema.

6.

I recently traveled to Australia, Japan, England, the Galapagos, and France without leaving New York—through modern magic, film...

7.

In this essay Garrett asks of himself: “What is a minor work of art, and what a major one? How do the perceptions about the social value of characters in film translate into one’s estimation of a film’s importance?” These are questions that occur when Garrett views two films focusing on Native Americans, Randy Redroad’s Haircuts Hurt and Norma Bailey’s Cowboys and Indians: The J.J. Harper Story, and then sees Denys Arcand’s The Barbarian Invasions.

8.

Writer Daniel Garrett collectively analyzes a group of films released in Autumn 2003 in which we can see a “broadening of male sensibility”.

9.

Garrett paints a loving portrait of Diana Ross as an American artist who has been both essential and inspirational for the better part of five decades.


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