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Past Issues


Volume 16, Issue 2 (Colin Low Special)
February 2012
  • Colin Low, an Anglophone in Quebec
    by Pierre Pageau
  • Colin Low: Canadian Renaissance Artist
    by Donato Totaro
  • Not the Long Goodbye: Some Thoughts on the Role of the Web in the Survival of Celluloid
    by Paul W. Salmon
  • No Texting, No Talking: VIFF 2011
    by Mike Archibald
  • Teaching the World: World Affairs in Foreign Films: Getting the Global Picture
    by Daniel Garrett

Volume 16, Issue 1 (Powell & Pressburger (and Art Cinema Horror))
January 2012
  • Fellinian Horror
    by Donato Totaro
  • Bloodcurdling Holiness in Black Narcissus
    by Adam Bagatavicius
  • Strangers in Strange Lands: Encountering the Exotic in I Know Where I’m Going! and Black Narcissus
    by David Hanley
  • A Tale for Our Times: The Criterion 2-disc edition of Powell and Pressburger’s A Canterbury Tale
    by Paul W. Salmon
  • The Woman in Black (2012) and Hammer has risen from the grave
    by Mark Penny

Volume 15, Issue 12 (The Italian Filone Part 2)
December 2011
  • Rediscovering Brunello Rondi
    by Roberto Curti
  • Francesco Barilli Interview
    by Roberto Curti
  • Francesco Barilli’s Dual Gems: The Perfume of the Lady in Black (1974) and Pensione Paura (1977)
    by Donato Totaro
  • “Unknown Soldier”: The Films of Marcello Aliprandi
    by Roberto Curti
  • Warren Kiefer – The Man Who Wasn’t There
    by Roberto Curti

Volume 15, Issue 11 (The Italian Filone)
November 2011
  • A Genealogy of Italian Popular Cinema: the Filone
    by Donato Totaro
  • Virgil and Dante at the Cinecittà: The Influence of Epic Poetry on Italian Popular Cinema
    by Kieran Macnamara
  • Turning the Western on its head: Simple subversion in Sergio Corbucci's The Great Silence (1968)
    by James Newton
  • Roberto Curti's Phantom Lovers
    by Donato Totaro
  • Exquisite Corpses
    by Roberto Curti

Volume 15, Issue 10 (Women, Iran, & the End of Film)
October 2011
  • Elegies for the vagrant souls: Reading Reza Allamezadeh’s films of exile
    by Ramin S. Khanjani
  • The Neighbor: Naghmeh Shirkhan’s Choreography of Iranian Women’s Life in Migration
    by Najmeh Khalili Mahani
  • The Feminist Portrayal of Woman in Iranian Cinema
    by Mojgan Eyvazi
  • R.I.P. Film (not “Cinema”), 2011: Montreal, the year in review
    by Peter Rist
  • Bye-Bye Celluloid?
    by Donato Totaro

Volume 15, Issue 9 (Comparative Film Analysis)
September 2011
  • Collateral: A Case Study in Ethical Subjectivity
    by Kyle Barrowman
  • Atom Egoyan’s Chloe: Filtering Bergman’s Persona
    by Donato Totaro
  • Eyes Wide Shut: Dream Movie
    by Leon Saunders Calvert
  • The Thin Red Line – Every Man Is A Universe
    by Leon Saunders Calvert
  • Contradictions; or, The Languages of Violence and Peace: the film Five Minutes of Heaven, starring Liam Neeson and James Nesbitt
    by Daniel Garrett

Volume 15, Issue 8 (From Tarkovsky to Tornatore)
August 2011
  • Tarkovsky and the World of Documentary
    by Donato Totaro
  • There Will Be Blood: A Study in Mise en Scène
    by Alireza Vahdani
  • Nuovo Cinema Paradiso
    by Alireza Vahdani
  • Not Beautiful but Brutal, Ugly Facts and Transcendence in Inarritu’s film Biutiful
    by Daniel Garrett
  • Cannes 2011: In a Reflexive Mood
    by Pierre Pageau

Volume 15, Issue 7 (Canadian (Mainly) Non-Narrative Cinema)
July 2011
  • Monsieur Lazhar: An Interview with Philippe Falardeau
    by François Nadeau
  • An Interview with Luc Bourdon
    by David Hanley
  • Documentary, Postmodernism and La Mémoire des anges
    by David Hanley
  • Frank Sanna Interview on The Edifice
    by Donato Totaro
  • Lonely Boy: Documenting the Manufacture of a Pop Idol
    by David Hanley

Volume 15, Issue 6 (Independent Cinema)
June 2011
  • Yesterday: Rob Grant Interview
    by Donato Totaro
  • Walking with the Dead: An Interview with Marc Price
    by James Rose
  • The Descendant
    by Donato Totaro, Mark Penny
  • Death in Ventnor Interview
    by Donato Totaro
  • The British New Wave and Its Sources
    by David Hanley

Volume 15, Issue 5 (Fragmentary Narratives)
May 2011
  • A novel telling in The Limey: Non-continuity montage in mainstream American cinema
    by Guan-Soon Khoo
  • Sweet Karma (2010, Andrew Thomas Hunt)
    by Donato Totaro
  • Inception: Film, Dreams and Freud
    by Leon Saunders Calvert
  • Segments of Madness in Emmanuel Carrère’s La Moustache
    by Alessandra M. Pires
  • The Worth of Children and Their Parts: Never Let Me Go and Inhale
    by Daniel Garrett

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