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Keyword : Orson Welles
1.

An analysis of Touch of Evil which argues that a formal analysis grounded in cognitivism is better suited than most (i.e. psychoanalytical) in taking into consideration issues of meaning (authorial intention, the collaborative nature of filmmaking) and the particularities of cinema's unique 'autographic' and 'discursive' language.

2.

An in-depth analysis of Criterion's swank release of Sir Carol Reed's British noir classic.

3.

Orson Welles has been on record as saying that The Trial (1962) was the favorite of his films. Perhaps this is because it was the first film since Citizen Kane to be released precisely as he had intended, without any studio imposed changes and interference.


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