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The 29th Hong Kong International Film Festival
A report on the 29th International Hong Kong Film festival.
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New Zealand Korean Film Festival 2004
In October 2004 New Zealand held its first ever Korean Film Festival in Auckland, not only revealing that Asians have other pastimes than boy racing, kidnapping, and pouring their money into the NZ education system, but also showing how one small country has turned its film industry into a force to be reckoned with on the global scene.
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Fantasia 2004 Part 1: Selections from Japan (mainly) and Korea
Fantasia is back after a one year hiatus, stonger than ever.
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A Visit to Korea: a Tale of Pi-Fan, 2001
Hospitality Korean style makes Professor Rist's first (and certainly not last) trip to Pi-Fan (5th Puchon International Fantastic Film Festival) an event to remember.
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The Incredible Film Fest, Part 1
Part two: Korean films lead the way.
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Corridors that Whisper Dark Secrets
Interview with Republic of Korea director Park Ki-Hyung on his smash debut horror hit Whispering Corridors (1998).
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AmérAsia: Korean New Wave and Beyond
The 1st AmérAsia International Film & Video Festival (Dec. 3-Dec.12, 1999) is following a fairly recent Montreal trend in Asian themed film events, but differs in its slant.
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Sopyanje
Sopyanje is a stirring Korean style road movie that weaves emotive Korean folk music (Pansori) and pastoral landscapes with a powerful plea for Korean identity.
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Interview with Kwangmo Lee, Part 2
Interview with Korean director Kwang Mo Lee
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Interview with Kwangmo Lee, Part 1
Korea was the spotlighted nation at the 1998 Montreal World Film Festival (August 27-September 7). One of the nine Korean films featured was Lee Kwangmo's Spring in my Hometown , a poignant story about the effects of the Korean War on two neighboring families in a small village in South Korea.
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An Introduction to Korean Cinema
For the second year in a row, Le Festival des Films du Monde is putting the spotlight on a country in which the cinema is at the heart and soul of its nation's culture.
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Korean Cinema in Montreal
The first Korean film I saw was Im Kwon-Taek’s Adada (1987) at Montreal’s World Film Festival in August, 1988. But, with virtually no coverage of Korean cinema in the English language, nothing had led me to expect that Adada would be such an interesting work, thematically, stylistically, and in its narrative content.
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Two Films by Shin Sang-Ok
Having seen only three of the 60 plus films directed by Sang-Ok it may be premature to start tossing out superlatives, but his films seen at the recent Cinematheque Canada’s (CCA) Three Korean Master Filmmakers series represent one of the major international cinema revelations of recent years.
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