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Browse by author: Robert Robertson
1.

Author Robert Robertson's sixth Offscreen essay on the audiovisual aspects of Sergei Eisenstein.

2.

A comparative analysis of the American architect Frank Lloyd Wright's theoretical and practical speculations on glass and Soviet director Sergei Eisenstein's proposed first sound film project for Paramount, The Glass House.

3.

Robert Robertson continues his research into previously untapped intellectual/philosophical strains in the work (film and theory) of Sergei Eisenstein, looking at parallels to the American architect Frank Lloyd Wright.

4.

An analysis of the great montagists Sergei Eisenstein’s interest in synaesthesia and occult traditions.

5.

First of two part essay on Eisenstein's audiovisual strategies for his sound film Que Viva Mexico! and how his use of music and noise relates to his concept of 'nonindifferent nature'

6.

First of two part essay on Eisenstein's audiovisual strategies for his sound film Que Viva Mexico! and how his use of music and noise relates to his concept of 'nonindifferent nature'


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ISSN 1712-9559.