Forum 1: Favourite Moments of Film Sound
~ Celebrating 80 Years of the Sound Film ~

This issue begins with a celebration of sound in film, bringing together ten short essays by a variety of film scholars detailing auditory moments from the history of cinema that they have found to be worthy of discussion. From The Jazz Singer through to Eternal Sunshine of the Spotless Mind, with a number of stops in North America and Europe along the way, this collection reflects a variety of interests in film sound: Evens, Gorbman, and Phillips each appreciate the role of silence in their chosen excerpts; Batcho, Shingler, Totaro and Whittington offer selections which establish alternate realities through elaborate soundtracks that play with the boundaries between interior and exterior experience; Weis considers three distinct approaches to audiovisual relationships as demonstrated by her selections from three acknowledged masters of the art; Habib discusses the profound role that listening plays for the characters in his chosen film; and Wright rounds the forum out with some thoughts on a very particular sound effect that transcends the boundaries of a single work and can be heard as a motif spanning the past fifty years of Hollywood sound design. Taken as a whole, this forum reflects approaches to filmmaking that consider sound to be an integral part of their overall design. As such, this set of essays serves as an ideal opener to this special edition of Offscreen dedicated to the pursuit of audiovisual integration in the cinema and beyond.
- Eternal Sunshine of the Spotless Mind
By: Jim Batcho
- Patriot Games
By: Aden Evens
- The Jazz Singer
By: Claudia Gorbman
- La Maman et la putain
By: André Habib
- The Haunting
By: Thomas Phillips
- Love is the Devil
By: Martin Shingler
- Stalker
By: Donato Totaro
- Tati, Hitchcock, Antonioni
By: Elisabeth Weis
- The Exorcist
By: William Whittington
- The Wilhelm Scream
By: Benjamin Wright
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