Lisez aussi :

|
|
.:
All Reviews :. |
|
GNER 19th Leeds International Film Festival
Report on the 19th Leeds International Film Festival,
|
|
|
Dreaming Wide Awake: Sally Potter’s Yes, and In My Country, The Interpreter,
Writer Garrett looks at the human quotient across a series of recent films (including Yes, and In My Country, The Interpreter, Off the Map, The Upside of Anger, and Saraband).
|
|
|
Wild Strawberries: A Brief Note about Ingmar Bergman and Pauline Kael
An appreciation of Pauline Kael through Ingmar Bergman.
|
|
|
A History of Violence….sort of
A review of Cronenberg's A History of Violence
|
|
|
Ti Piace Hitchcock?
Dario Argento lives up to his often noted and inappropriate monicker, The Italian Hitchcock.
|
|
|
The Alan Clarke Collection
Review of the Blue Underground Allan Clarke DVD Collection.
|
|
|
Coleção Zé do Caixão — 50 anos do cinema de Jose Mojica Marins
An review of the Jose Mojica Marins DVD box-set.
|
|
|
La Petite Aurore, L’enfant Martyre: Revisiting a Classic
Revisiting a classic of Quebec cinema, La Petite Aurore, L’enfant Martyre.
|
|
|
Thoughts of a Dry Brain in a Dry Season: Woody Allen’s Melinda & Melinda
Woody Allen, Melinda and Melinda, Eros, Wong Kar-wai, Michelangelo Antonioni, Crash
|
|
|
Violence and Intimacy in Germany, Israel, and Palestine.
Geopolitics meet sexual politics in Walk on Water
|
|
|
Marriage of the Blessed
A look back at one of Makhmalbaf's most important mid-career political films, Marriage of the Blessed.
|
|
|
Viewer Dissonance in Gerry
An “ecological” interpretation of Gus Van Sant's enigmatic Gerry.
|
|
|
Close-Up X 2
A look back at some Iranian shorts and a feature documentary which have an element of reflexivity which is common to most Iranian cinema.
|
|
|
Human Conflict, or the legacies of superfluous men
Each of us is human and has value, but we are not equally valuable—our resources (knowledge, skills, talents, and monies), and relationships to others, determine the extent of our value. Sometimes we feel inferior because we are. The work of people such as Plato and Shakespeare is not important because they are Greek or English but because of how they illuminate the human condition, an illumination not limited by language, national borders, or time.
|
|
|
Forever Godard
A review of Jean-Luc Godard's Forever Mozart.
|
|
|
|