Lisez aussi :
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Festival of New Cinema of Montreal :. |
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Good Day and Good Night: A Conversation with Filmmaker Julia Loktev
An interview with young filmmaker Julia Loktev on her controversial film about a female suicide bomber, Day Night Day Night.
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Lights in the Dusk: Beautiful Beasts at FCN 2006
A report on the 2006 edition of the Festival of New Cinema in Montreal, with a preamble on the etiquette of big theatre experience in the era of the multiplex experience.
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Time Spent in Zama
An essay on Hakan Sahin's first two features, Mirror and Snow, studies on the psychological effects of living in geographical isolation.
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The 29th Hong Kong International Film Festival
A report on the 29th International Hong Kong Film festival.
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FCMM 2002 Dossier : Fragmented Visions
A recurring element that struck me during the 2002 Festival International Nouveau Cinéma Nouveaux Medias’ and which I have decided to use as my anchor for this report, is the fragmented narrative, and/or the anthology or omnibus format. Many films at the FCMM were structured using this time honored tradition. Films covered in this report include 11’09’’01, Ten, Gambling, Gods and LSD, Dolls, and Elsewhere.
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FCMM 2002 Dossier : Short Films Exposed
While lamenting the FCMM's decision to eliminate live performances (at least for this year), Randolph Jordan points to the short film as the one area where the FCMM continues its cutting edge, innovative programming.
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FCMM 2001: Sounding Off, Part 1
Randolph Jordan relies equally on his 'eyes' and 'ears' as he concentrates on the often overlooked juxtaposition of sound and image, a dialectic that is becoming an increasingly important part of Montreal's FCMM Festival International Nouveau Cinéma et Nouveaux Médias.
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FCMM 2001: Sounding Off, Part 2
Part two of Randolph Jordan's coverage of Montreal's FCMM Festival International Nouveau Cinéma et Nouveaux Médias.
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FCMM: Into the 21st Century
Another edition of the FCMM has come and gone, and I can not remember an edition which featured as many programmers and organizers brimming with perennial smiles.
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1999 International Festival of New Cinema and New Media Marks Path To Future
The 28th International Festival of New Cinema and New Media set the marker posts on the route to the future. This one festival comprises two very separate events that –for the moment– have little to do with each other.
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1999 International Festival of New Cinema and New Media
The continual blur of Montreal Film festivals does not allow the seasoned filmgoer much chance to breathe, let alone contemplate each individual festival within the city’s cinematic global whole.
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DEAR WORLD: The Kids Are NOT All right
In its 27th version, the International Festival of New Films / New Media in Montreal took a leap forward by returning to its roots. In shifting focus from the carnival-like elements that have predominated since the festival's move to a summer venue and back to the programming, the festival again filled its important niche on the Montreal festival landscape.
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Where Opera Weds Painting
Lech Majewski, writer/director of The Roes' Room, calls his film an “autobiographical film opera”. A writer and director of opera as well as of film, Majewski composed the music and libretto that provide the text of the film.
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New Cinema 27
The latest incarnation of the Festival of New Cinema and New Media (FCMM) runs from October 15 to 25 and seems to be another attempt at redefining itself.
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Asian Potpourri
In “Asian potpourri”, the adventurous reader will find a series of loosely connected reviews of films from Iran (from this past year's Festival of International Cinema and New Media) and Central Asia.
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