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30th Hong Kong International Film Festival, April 4-19, 2006
Rist celebrates the Honk Kong Film Festival as it celebrates its 30th Year Anniversary.
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And Always Searching for Beauty: Balzac and the Little Chinese Seamstress
A review essay of Dai Sijie's France-China production of Sijie's own novel, set during China's Cultural Revolution (1966-1976). Author Garrett analyzes (among other elements) how, during one of the darkest periods in China's cultural history, great art (much of it destroyed as part of the 're-education' program) survived through the perseverance of the human spirit.
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Memoirs from the Beijing Film Academy
An in-depth book review essay of Memoirs from the Beijing Film Academy, the fascinating first hand account about some of the more prominent members of China's Fifth Generation filmmakers, written by a professor from the Beijing Academy, Ni Zhen.
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The White Countess: Merchant and Ivory’s Final Film
A review of the final Merchant-Ivory film, The White Countess, “a high-brow romance drama without romantic love.”
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Wuxia Masks: On Come Drink With Me and the Beijing Opera
An exploration of the art of fight choreography as defined by wuxia pan master King Hu.
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The 29th Hong Kong International Film Festival
A report on the 29th International Hong Kong Film festival.
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Tsai Ming-liang Retrospective
A report on La Cinémathèque's major retrospective of the works of Malaysian-born Taiwanese director Tsai Ming-liang.
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Fulltime Cinema: An Interview With Johnnie To
An interview with Hong Kong director Johnnie To.
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UCLA’s “Heroic Grace: the Chinese Martial Arts Film”
In September 2002, at the Toronto International Film Festival, I was very pleased to meet Cheng-Sim Lim, the Head of Programming at the UCLA Film and Television Archive, who told me she was curating a series of films celebrating the history of Chinese Martial Arts on film!
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A Touch of Hu: A Fan’s Notes and an Appreciation
As an invited guest to Pi-Fan, Professor Rist was asked to share his knowledge of King Hu to interested observers. Offscreen extends the privilege to its readers.
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Zhang Yimou’s The Road Home
Kudos to Columbia-Tristar for their continued excellence in Asian DVD's.
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Hong Kong Meets Hollywood
What happens when Hollywood begins to copy Hong Kong, and Hong Kong begins to copy Hollywood?
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Chinese Cinema: 1933-1949
From May 19th to May 30th Montreal will host an historically important cultural event when The Mel Hoppenheim School of Cinema and IITS at Concordia University in association with Ciné-Asia present the film series: Chinese Cinema: 1933-1949.
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No one to be Missed
Getting an interviewing with Zhang Yimou is difficult. Even in my hometown Beijing, I felt he was harder to reach than he was in Montreal last winter.
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Interview Hou Yong : Zhang Yimou’s Cinematographer
No one to be Missed, which in Zhang Yimou's words is one of my best movies, deals with a rural town's school drop-out problem. Zhang Yimou is a director known for having excellent work relations with his film crew.
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