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Stan Brakhage :. |
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By Brakhage: An Anthology
Review of the recent Criterion DVD that spans Brakhage's lifework.
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Postscript: Notes from Underground: Coltrane, Brakhage and the American Avant-Garde (Postscript)
By Brett Kashmere and Astria Suparak following the Stan Brakhage Benefit Concert featuring Sonic Youth, Anthology Film Archives, NYC April 12, 2003.
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Remembering Brakhage
Professor Peter Rist reminisces on “Stan the Man”.
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Notes from Underground: Coltrane, Brakhage and the American Avant-Garde
Stemming from his ongoing graduate work, first-time Offscreen writer Brett Kashmere delves headlong into the fascinating intersection of Brakhage and the cultural expression of the Post-World War II American avant-garde.
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The “400” Year Plan
Anyone who has heard Stan Brakhage lecture will probably be familiar with his now famous artistic credo, his “400 year plan”. Offscreen editor Donato Totaro provides a brief glimpse into the mountain of a man that was Stan Brakhage.
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Brakhage’s Silent Legacy for Sound Cinema
Drawing on the wide-ranging theories of Michel Chion (Audio-Vision: Sound on Screen), William C. Wees (Light Moving in Time), Sergei Eisenstein (Nonindifferent Nature), Peter Kivy (Music Alone: Philosophical Reflections on the Purely Musical Experience), and Tom Gunning, Jordan explores how Brakhage's films and theory ask us to 're-learn' the fundamental principles of how we interect with the world around us.
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Stan Brackhage: “Death is a Meaningless Word”. Part 1.
Stan Brakhage at the Cinémathèque Québecoise, Montreal, January 27-28, 2001 Part 1: “Death is a Meaningless Word.”
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Stan Brackhage: “Death is a Meaningless Word”. Part 2.
Stan Brakhage at the Cinémathèque Québecoise, Montreal, January 27-28, 2001 Part 1: “Death is a Meaningless Word.”
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Beyond the Infinite: Part One
In the first of a two-part analysis, Leah Hendriks explores the fascinating interconnections that exist above and below the surfaces between maverick director Stanley Kubrick and the experimental film works of Maya Deren, Jordan Belson, Stan Brakhage, and Kenneth Anger. Hendriks concentrates mainly on 2001: A Space Odyssey (in part one) and Eyes Wide Shut (in part two).
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Stan Brakhage in Montreal
Early in 2001 Hors Champ presented a 4-day event featuring a selected program of vintage works by one of America's leading visual artists, experimental filmmaker Stan Brakhage. Nicolas Renaud recounts what was for many an extremely moving 4-day aesthetic experience.
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